dr_phil_physics: (cinderella-fabletown)
Let's Try This Again

We were supposed to go Grand Valley last Sunday to see GVSU Opera Theatre: 'Into the Woods' by Stephen Sondheim. Alas, I was feeling under the weather and so we bailed. Good news, was that February 7th was NOT the last performance, so Mrs. Dr. Phil was able to exchange tickets for seats at the closing performance this afternoon. Yay!

Into The Woods
Grand Valley State University, Louis Armstrong Theatre, 2pm


GVSU did Into The Woods probably ten years ago. It was a delightful production, especially the cow. A non-speaking part, they had a guy in a cow suit standing there, sort of the worst realistic cow ever, just standing there with an udder poking out of his gut. Hilarious. Then there's the delightful nonsense of the musical itself.

Fairy tales are a mixed bag. Some are overly familiar. Some have been greatly watered down or Disneyfied from their earlier grim/Grimm incarnations. All of this has been tossed into a blender and the resulting puree is all at once familiar, funny, poignant and deadly serious. Yup, Cinderella's evil stepsisters lose toes and part of a heel in their mother's desire that they marry the prince. People get killed, mostly squished by the wife of the Giant from Jack in the Beanstalk. This does include the overly dramatic pompous professorial narrator, whom the characters figure is screwing around with their lives. Now what? Besides Jack and Cinderella, we get Rapunzel, Little Red Riding Hood, Snow White, Sleeping Beauty, and more.

You want your "happily ever after"? It may not be so nice. (grin)

Lovely set, costumes and fantastic casting. The sound system was perfectly balanced and everyone was easily understood, except for one brief moment when the Baker's mike cut out. But the glitch was quickly fixed. This is a cast and crew that was having a great deal of fun -- and working with really good material.

Better, worse or the same than ten years ago? Both productions were excellent, but the words were harder to make out during the complex songs in the earlier un-miked production. So this was smoother, more comfortable. Final call -- SO GLAD we didn't end up missing this version.

As for the cow, that part was played by a small cow on wheels, which also had a handle. Much easier to move your cow around when it had a handle. The second cow, practically a cardboard cutout. You didn't know they needed a second cow? What makes you think the first one didn't die and get buried? Oh, and Little Red Riding Hood, with her sharp little knife, practically stole the show. (double-edged-grin)

Dr. Phil
dr_phil_physics: (ophelia-mirror)
The Second Play Of The Season -- And An Opening Night!

And an awesome dinner at Pereddies in Washington Square in Holland MI. If this is Friday this must be my third completely different recipe for calamari for the week. Oh, yum. And lasagna with meatballs, which I think I've had the last several times I've been there, and (sigh) key lime pie for dessert. The sacrifices that we have to make in order to go to the local theatre and let you know about it here on LJ. (grin)

By ourselves we've managed to go to a lot of closing nights of shows. Both of us have had some involvement with student theatre and it's important to give them support all the way through a run. But with the in-laws in town, we managed to do two plays in three days, so we've an Opening Night to attend...

The Cmplt Wrks of Wm Shkspr Abrdgd
DeWitt Theatre, Hope College, Holland MI, 8pm

"All 37 plays in 97 minutes" -- That's quite a boast, but with sufficient mad genius and some creative license, it can be done. We've been coming to HSRT for long enough now that we are beginning to see plays that they did many seasons ago. We saw The Cmplt Wrks of Wm Shkspr Abrdgd in the Snow Theatre studio theatre eleven summers ago. Three brilliant actors, James Saba, Dana Snyder (known today as the voice of Master Shake in Aqua Teen Hunger Force) and I think Chip DuFord.

Dana Snyder (L) and Chip DuFord? in 1998

That was then. This is now. And this production of The Cmplt Wrks of Wm Shkspr Abrdgd is wonderful, marvelous and absolutely full of energy. Even knowing some of the schtick, there was never an actual false step and they never dropped the ball -- except when they were supposed to. The brilliant performers turned out to be three-fourths of last year's Forever Plaid. Putting it in the main DeWitt Theatre allowed them to mount a big production with so little (grin), including the backdrop to another show this season, Room Service, which they promptly backed a truck through and knocked over. Oh the mayhem which ensues!

L to R: Teddy Yudain, Jonathan Spivey, Michael Hanson

Sitting in any of the front row seats on three sides of the theatre meant you had a chance of being dragged into the play. Hell, it didn't even have to be front row seats. Mrs. Dr. Phil (Orchestra Left AA-3) was "selected" to be sat on at one point, which was funny. Finding Mrs. Dr. Phil's purse on stage with the actor -- now that's comedy. Actually, at one point everyone participates, which we'd forgotten about from 1998, so everybody has a great time.

And yet it is clear that the Bard of Avon can survive even such appalling trimming as The Cmplt Wrks of Wm Shkspr Abrdgd visits upon his oeuvre, such is the strength of Shakespeare. Of all the plays (plus the sonnets), Romeo and Juliet in the first act and Hamlet in the second act, get the most play, so to speak. But I'm not quibbling. This is a brilliant play by a genius cast and if you are in West Michigan, please try to come to Hope College and see The Cmplt Wrks of Wm Shkspr Abrdgd before it is too late. Because the run is, of course, short.

Highly Recommended

Dr. Phil
dr_phil_physics: (Default)
Hope Summer Repertory Theatre

We've been going to HSRT shows at least since 1997's Return to the Forbidden Planet. And we've been getting season tickets for about ten years. So hitting the end of June/beginning of July and starting on our annual run of HSRT plays is always a real joy. This time we had the in-laws here and a lovely dinner at Butch's. We'd hoped to have the Wednesday Diner menu, but they weren't doing one this week. Afterwards, it's just a block over to the theatre!

Suds: The Rocking 60s Soap Opera Musical
Knickerbocker Theatre, 8th Street, Holland MI. 8pm

Apparently HSRT did Suds "ten years ago", but I know we didn't see it. Perhaps they did it as part of their cabaret series, which we didn't go to in the beginning. Last year HSRT also did a rollicking musical show at the restored Knickerbocker Theatre, Forever Plaid, but I have to say that we liked Suds more, not just for the choices of musics but because there was an actual plot.


L to R: Annie Sheehan, Kelly Sina, Gail Rastorfer
So Cindy (left) gets dumped by her sort-of-boyfriend and decides to end it all. But her demise is interrupted by not one but two... er, three?... guardian angels -- Dee Dee (middle) and Marge (right). It's all very complicated and charming. The three ladies all manage perfect characters and all were capable of belting out lyrics solo -- and provide enchanting harmony together. The Man, who plays multiple roles, is no weak sister to this trio and can he dance! Every single one of these songs was played on the radio all the time while Mrs. Dr. Phil and I were growing up. Obviously these "kids" aren't really old enough to truly understand. (grin)

Playlists after the cut... )
It's tough to talk about favorite numbers because they were all good, which is especially hard considering the talents who made the songs famous that they were competing against. I mean, when you can hold your own against Aretha and Nancy Sinatra... you're doing it right! Still, I have to say that "Locomotion", done in the middle of a suicide attempt was choreographed beyond belief and "Secret Agent Man", where we get the big reveal on the Man, were definitely top numbers -- but there was no let up in the quality throughout the show. Amazing.

Aside: I will never be able to listen to "You Can't Hurry Love" without thinking of the pilot for China Beach -- "Hey, isn't that McMurphy up there?!" (big grin) And "I Say A Little Prayer For You" reminded me of how much I loved that song on the radio -- or in big production numbers on the last of the TV variety shows. I better stop mentioning favorite songs because I won't be able to stop. Just see the above cut list. (sly grin) Did I mention that the orchestra hidden behind the set did a phenomenal job?

Highly Recommended

If this is just the start of our tour of the HSRT season, we're going to have a great summer here in West Michigan.

Dr. Phil
dr_phil_physics: (kates-first-oscar)
We Like The Tonys

As people who see a number of plays during the year -- GVSU, Hope Summer Rep (coming in just a few weeks!), Grand Rapids Broadway Theatre Guild, MSU's Wharton Center -- we have a strong interest in what's happening and who's performing on Broadway. So when I say I was disappointed with Sunday night's telecast of the Tony Awards on CBS, it wasn't the wonderful plays or people. Who doesn't like the energy of West Side Story, seeing Allison Janney in 9-to-5, the three wonderful young men in Billy Elliott, or the silliness of Shrek?

No, the problem lay in the show itself.

Fail No. 1

There were sound problems all night. More than one production number had terrible sound balance. Either I couldn't hear the leads, or in the case of the Lord Farquahr number from Shrek, the lead doll was way too loud for the chorus. And then in one number they had to idly sing along until someone ran a cordless hand mike out to the lead.

That we don't see more of this in live television and awards show tells you how good the sound and tech people are. And I'm sure they were mortified as they ran from crisis to crisis last night. Definitely felt bad for them, but since the music suffered, I felt bad for the shows and the singers, too.

Yeah, I'm just an old theatre softie at heart. There's a reason we often go to either opening night or closing night productions. And preview nights...

Fail No. 2

Back in February, I wrote about the disrespect the Oscar's telecast showed those who were on the roll of the departed. I was not alone. Many people complained about the camerawork and the inability to see the names and faces of those being honored. You'd think people would say, "Nope, that's not gonna happen again."

Well, apparently the Tony Awards Show people didn't get that memo. Other than have a chorus singing, instead of one, it was almost the same stupidity. The screens with the pictures and names were either set at an angle or the projection was such that it made them look at an angle. And then the camera bobbed and weaved around "artistically". I was furious. I don't think I got a good look at as many as one-third of the people who'd died in the last year.

Fail No. 3

Finally, for years the Tony people have smuggly mocked the Oscars broadcast for running over. Sometimes nearly an hour over! We know how to time a show, and get on and get off to make a speech, the theatre professionals say. Alas, the Tonys did not end at 11pm EDT. A fact that host Neil Patrick Harris did briefly acknowledge, by noting that it was 11:03 or so when he had to start his musical wrap up finale song over the credits.

Okay, so Mrs. Dr. Phil didn't think this was so-ooo bad. After all, it was just a few minutes. And it's not like the local Channel 3 news was the only 11 o'clock news running late, since ABC ran longer with the NBA Finals game, too. Not as bad as the Oscars for sure.

But I have to wonder. With so many new Broadway shows based on movies -- Billy Elliott, Legally Blond, Shrek, etc. -- and so many movie actors showing up -- take Will Farrell, please -- are there too many movie people around to know how Broadway should be doing things? (sly evil grin)

Still, A Passing Grade

We still like watching the Tonys. Singing, dancing, acting -- it's a great mini-course on what is happening on Broadway. Some of the new shows and the revivals we knew about. The new West Side Story, with Spanish!, was featured on NPR Weekend Saturday, I think it was. Some, like 33 Variations, I hadn't heard about, but am very intrigued now.

And then there's Hair. (grin) When we saw a GVSU production of Hair the other year, Mrs. Dr. Phil and I observed that it was nice, but there was something missing. The actors were too young to know about the 60s. Same with the Broadway revival. I think I've put my finger on it. The free love and hippy movement -- they got the joy and the happiness and delight in randomness down. What is missing is the deep dark undercurrent. See, the 60s happened in... the 60s. And some of what was going on was singing La-la-la I can't hear you over the ugly noise of the day. Knowing that every day might bring you crashing down from your self imposed high.

So, interesting. (grin)

Dr. Phil

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