dr_phil_physics: (Default)
Saturday is a great wasteland for television. And as August and the Summer of 2015 winds down, there's not a lot of new movies coming out that we HAVE to see. I think the next big movies on our To Do list is Scorch Trials and... drum roll... The Martian. So... maybe stream something on Netflix?

I don't remember if I mentioned this, but a couple of weeks ago we went to watch something on Netflix and discovered that the Blu-Ray player with WiFi would not come on. It was not the case that the BD player was dead -- rather its small surge protector apparently died a valiant death in one of two violent thunderstorms we've had in the last month. We have a temporary kluge, stringing an extension cord that I use with various devices next to the computer desk. But we shall rebuild the system, making it better, stronger, faster... and costing less that $6 million. (evil-grin)

Netflix has redone its screens and its Android/Kindle apps a number of times. To look more dramatic, no doubt, the ubiquitous red letters spelling out Netflix on a white background is now red letters on black. But one of the changes was the TV lost its listing of My List -- the things I'd checkboxed and hoped to someday get around to seeing them. Of course, Netflix pulls things out of rotation from time to time, either through licensing agreements or just changing up what is available on streaming as opposed to DVD rental. When we got the Sony Blu-Ray player for the new HDTV, we reactivated my old Netflix account, but streaming only. So what's available for DVD isn't too important.

But surely there is something to watch. And one of the offerings was this quirky film:

In A World... [R] (2013)
Netflix streaming

I remember when this little film came out and had gotten some decent reviews. Who doesn't remember all those "In a world where..." movie trailers? Don LaFontaine owned the movie trailer business for many years. As opposed to Hal Douglas, the east coast movie trailer voice, who also did "In a world..." trailers -- and was sometimes mistaken for LaFontaine. (Douglas did the overblown fake trailers designed by Cameron Diaz in The Holiday.) Both men are gone, in 2008 and 2014, respectively.

But honestly, I was thinking that this was a documentary -- about the daughter of The Voice of God.

Turns out... no. Although the movie does open with a tribute to Don LaFontaine, including his most excellent GEICO insurance commercial, it's a fictional look into the whole very small voice over industry, especially the vacuum left after La Fontaine's death.

It's delightfully quirky, with a lot of inside baseball humor about voice over work -- and many classic voice over moments. Unlike The Red Shoes, which I reviewed recently (DW) (LJ), hopefully In A World... will not encourage hordes of young people to rush into Hollywood to become movie trailer artists. (grin)

Watching movies at home is not the same as watching in the theatre -- it's less total concentration. As is typical, I was Kindling while watching. But I had to put the machine down because I was missing some of the complications of the dysfunctional friends and family going on. It's a comedy... but it's much more human. And having grown up in schools surrounded by creative people -- artists, actors, musicians -- I have much more attachment to these people than in most comedies. Even if I want to knock some sense into the heads of a couple of people.

Lake Hill, who also wrote/directed/co-produced, stars as the daughter of one of the great voices, trying to make it in her own voice business. She's really good. (Lake is well known for several series we didn't see, including The Practice and Boston Legal, so some of you are much more likely to know who she is.) Michaela Watkins plays Hill's sister and seemed awfully familiar. We both thought for a bit she was Lisa Edelstein who was on House for so many years, but the voice was wrong -- it turns out she was on Saturday Night Live from 2008-9. Likewise, the sister's husband Moe, played by Rob Corddry, I kept thinking was the husband in the movie Fargo -- but that was John Carroll Lynch. Confused so far? Good.

I liked this movie. It was definitely a case of a "sufficient" budget. Too much money and it would've looked fake. This is a small voice over industry, and it needed to look small. After all, the smaller the pond, the bigger the fights over nothing but scraps.

RECOMMENDED

The Search for General Tso [Documentary] (2014)
Netflix streaming

Now this really is a documentary. I remember hearing about this documentary -- a search for both the historical General Tso and the origins of this damned chicken dish named after him. Several people had recommended it, but I couldn't think of the name -- all I could remember was Jiro Dreams of Sushi (DW), which we saw back in December. But after In A World..., I was flipping through the list of movies on the Netflix home screen when lo and behold here it was. Also about 90 minutes, we figured there was still enough Saturday evening to watch this.

General Tso's Chicken. It appears on nearly every Chinese restaurant menu in America -- and apparently many other countries as well. Though not, in particular, China. (grin) As one might expect, it's an Americanized Chinese dish for the blander American palette. But what was the source? Who invented the dish? And was there a General Tso?

It's not my place to spoil any of the adventure for you. It's a good solid, and funny, documentary. Very much worth the hour and a half to see it. And especially if you have interests in food, American and Chinese culture, and the whole creation of industries. The history down this rabbit hole -- or chicken coop if you like -- is well worth it.

RECOMMENDED

Dr. Phil
Posted on Dreamwidth
Crossposted on LiveJournal
dr_phil_physics: (daenerys)
The other day I posted some links to some YouTube revisionist trailers/mashups (DW). And I forgot the one that had actually started me leafing through the bowels of YouTube, something I don't very often do.

So here, without further fanfare, is that the beloved fantasy of The Princess Bride... er... mixed up with Game of Thrones.

Princess of Thrones

You are -- eep! -- most welcome.

Dr. Phil
Posted on Dreamwidth
Crossposted on LiveJournal
dr_phil_physics: (lifesavers-winslet)
Oh let's mix up some fun with some silly YouTube recuts of movie trailers.

Because... why the hell not?

Darth L. Jackson
Star Wars vs. Star Trek
Willy Wonka -- Horror Movie
Batman Dark Knight -- Joker As Good Guy
Pixar's "The Terminator"
Wes Anderson's "The Fellowship of the Ring"
You're welcome.

Dr. Phil
dr_phil_physics: (hal-9000)
2001: A Space Odyssey (1968) is the combination of two great efforts -- Stanley Kubrick and Arthur C. Clarke. More than a year before Man walked on the Moon, we believed that spaceflight could be real. And except for a few technical glitches (that damned floating pen), 2001 the movie STILL holds up better than most space movies and TV shows here in 2015. And the soundtrack? Gorgeous and iconic.

We were about to go to the Moon in just eight years -- 1961 to 1969 -- so having the technology for an orbital space station with artificial gravity, a moonbase, even regular Pam Am Spaceclipper service from ground to orbit in just 33 years to 2001? Perfectly believable. Of course, us space enthusiasts could hardly dream that we after a few missions we'd throw away the Moon and in the course of time, throw away the Space Shuttle.

If the video window isn't working, the link to the YouTube trailer is here.

The biggest flaw to 2001 is, well, simply put... it's slow.

My best man from our wedding from thirty years ago used to say that (a) it was his favorite movie of all time and (b) he'd never been able to keep awake through the whole thing in one sitting ever -- he'd seen it in chunks.

Part of the problem is that it was meant to be a total immersive experience. I saw it at age ten in full Cinerama splendor on a huge curved screen in a reserved seat movie palace in Toronto. It had opened in April 1968 and when we were in Toronto in like July, my father found out that there was ONE theatre playing it there. We were living between Buffalo and Rochester in those days, and the nearest American theatre showing 2001 was in New York City -- 400 miles on the New York State Thruway versus the 116 miles on the QEW Highway around Lake Ontario. The reserved seats were sold out weeks in advance.

But... while we were there, the theatre decided to open up a 12:30am showing. And my father, dedicated man that he was, got us nearly the last tickets in the balcony. It would be only the first or second time I had ever stayed up past midnight in my life. It would be nearly ten years before I saw it again, projected with an anamorphic lens from a 16mm print at Tech Auditorium at Northwestern, and yet I still remembered that movie thoroughly.

Real space is deliberative, carefully orchestrated and planned out. Watch video of the Hubble Space Telescope repair missions. Watch the astronauts on the Moon, for real. Today's space movies? Fast, fast, fast. Action, action, action. Don't worry about the consequences of zero G, vacuum, orbital mechanics.

So... a film student, I believe, cut a new trailer of 2001 as an action movie. It is, simply put, one of the most stunning movie trailers I have ever seen. Kubrick's film is still heads above anything put on the screen since. You have to see this to believe it:

If the video window isn't working, the link to the YouTube trailer is here.

Dammit, I know how the movie is supposed to go, but I also remember how edge-of-the-seat Ron Howard's Apollo 13 was -- I would still pay real money to see THIS version. (terribly-embarrassed-grin) Sorry, Stanley. You had no idea that lurking in your graceful classic is one of the greatest action movies of all time.

The pulse pounding soundtrack, by the way, is "Tactical Dominance" by Jack Trammell from the album Behemoth and an MP3 is available on Amazon for 99¢.

I found this via Facebook, from a webpage on several efforts to remake Kubrick films into something they're not. It is well worth your time, if you are into movies.

Dr. Phil
Posted on Dreamwidth
Crossposted on LiveJournal
dr_phil_physics: (the-one-ring)
Friday 14 December 2012

Peter Jackson's The Hobbit. In IMAX-3D. One quick glance at the trailer and they've got the LOTR Dream Team together again. A few people have joked that some of the Dwarves look like Klingons, but I think that's always an inevitable possibility when you're dealing with tough hairy men with beards.



I am geeked. Ready to go tonight...

Dr. Phil
dr_phil_physics: (bow-winslet)
What A Coincidence

Yesterday we went to see Hugo in 3D. So what were the odds that we'd see movie trailers aimed at kids and/or in 3D?

Why YES -- these are all coming in 3D.

So... how about The Pirates? From the animators of Chicken Run and Wallace and Grommit. Please? I haven't laughed so hard during a trailer EVER!

The next trailer was Yet Another Pirate Opening. But we've seen this before, it's for Spielberg's Tintin. Looks like fun. But I am waiting to hear from someone who is a longtime Tintin fan, preferably from Europe, as to whether they've captured this right. Americans by and large have never taken to Tintin.

The Lorax -- Oh thank god that it's not a Dr. Seusss live-action movie with Jim Carrey or Mike Myers. Having said that, the animated artwork looks good, but I got no hint of Dr. Seuss-ish dialogue.

Revise, Revise, Revise

Beauty and the Beast in 3D makes a January return. Automatic Cash Machine, but sadly it looks a little dated. Disney is capable of screwing things up, so we'll pass.

It's been a few years since George Lucas has messed with us, so no surprise that Star Wars Episode I: The Phantom Menace is getting the 3D treatment. I'm sure many will ban this. But given the popularity of the Star Wars merchandise -- Star Wars LEGO I'm looking at you -- it makes tremendous sense to introduce the youngsters to Star Wars on the big screen. And despite Jar-Jar Who Shall Not Be Named, compared to Episode III, Episode I has some great scenes. And the 3D-ization clips we saw looked good. I'd expect Lucas to technically tweak this right.

15 April 1912 + 100 Years

Titanic. After Avatar, does anyone question James Cameron's technical understanding of 3D? Obviously it's been years since Dr. Phil has seen one of his favoritest movies on the big screen. I'd forgotten how much I enjoyed it the many times I saw it first-run. And it'll be a century since the sinking. Will there be midnight showings designed to mark the 2:20am sinking? (evil grin)

I am so there. (swoon)

Have They Got This Now?

At Celebration Theatre, they were using a different 3D projection system. Certainly Hugo looked outstanding. And the two big retro converted films have heavy CGI use, which may facilitate the 3D conversion process. So I haven't given up on 3D if done right by competent filmmakers. But if this flight of movies tanks, I think Hollywood will rethink 3D as a cash conversion process.

Dr. Phil
dr_phil_physics: (xmas-plot-bunny)
Nothing Like Them At All

Some evil genius has done a mashup of the audio from the Inception trailer with scenes from It's A Wonderful Life. Man, you'd think this was one dark, violent movie. Well played, good sir, well played. Via NU ISP classmate Richard Magahiz on Facebook who got it from someone else...



Dr. Phil
dr_phil_physics: (steampunk-royal-keyboard)
I've Not Quite Decided...

How I view the trend towards Book Trailers. These are short web videos which do for books what movie trailers do for movies -- gives you a taste of what's inside so that maybe you'll read (buy) the book. On the one hand, there's the old-fashioned fuddy-dud in me who figures that a reader should read a blurb / preview / ad for a book. On the other hand, we spend so much time online, that seeing a catchy YouTube video is certainly one way to advertise. And on the gripping hand, maybe we can entice some video junkies to actually pick up a book. (grin) Then there's the fourth hand, where people -- including some that I know -- are having a great deal of fun to produce a book trailer.

I don't want to be a spoilsport and not encourage either the marketing of books or the creation of works of art separate from the writing of the book itself.

But every now and then someone shows me a book trailer which is a thing of beauty unto itself and a bloody good bit of advertising, too.

From The New Zealand Book Council

"Where Books Come To Life"


Once Again We Are Found Lacking

Should I be surprised that this comes from the New Zealand Book Council? Heavens no. Arts Canada and the various arts councils of Australia and Great Britain all do a great job with so many things. It's here in the United States that these things get left to the publishers, which really means that the author gets to do/arrange things like this.

Anyway, I liked this enough. And it's got "trains"!

Dr. Phil
dr_phil_physics: (pepper-potts)
Last Night

I finally got around to posting my review of Iron Man 2. Even as I was wrapping it up, I realized that my notes included a couple of things, and then some things came up in comments, that I should probably mention. So...

I forgot to mention that both Iron Man and Iron Man 2 need to be included in my list of movies which have Dr. Phil Specials -- some kind of extra scene or bonus that is included in or after the credits. I suppose if I'd ever actually posted my review of Iron Man two years ago, I wouldn't have forgotten. In the first movie, the extra bit involves Tony Stark being asked to use his Iron Man suit against The Hulk, i.e. fugitive David Banner. In the new movie -- well hell, go see the movie and sit through the credits. I did. (grin)

Also, my theory of sequels suggests that most sequels have the problem that they can't have or recapture the innocence lost in the original. I suspect that one of the reasons that Iron Man 2 works so well is that (a) Iron Man isn't all that innocent, because Tony Stark isn't an innocent. Indeed, he builds his first suit as an act of defiance, and then upset at how he saw his company's products being used by the wrong people for bad deeds, he gets home and works to perfect the suit. Or at least make it work more better. (grin) (b) For all his arrogance and the missteps said arrogance engender, Tony Stark has a couple of serious problems in Iron Man 2 that he must again Must Solve Or Die, thus recapturing at least some of the residual innocence of the original. So good on them.

Trailers: Of course sitting in Row 2 centered seats in front of the humongous IMAX screen before Iron Man 2 started, we were going to get trailers optimized for IMAX content -- go figure. (obvious grin) So these are not necessarily the trailers showing in the regular cinema theatres just a few hundred feet away. First up, two involving Leonardo DiCaprio. Now I make fun of Leo, but the fact is that he really can act -- Titanic might not be his finest, but Catch Me If You Can is brilliant and he was smoldering in Gangs of New York and exciting/heading into dementia as Howard Hughes in The Aviator. We skipped Shutter Island, but this new movie Inception, with its strange fantastic dream imagery, looks to be the best dream world visualization since Robin Williams' What Dreams May Come. Then again Leo is the narrator for the Hubble 3D IMAX film about the final repair mission to the Hubble Space Telescope. Now the Space Station 3D IMAX film was, at the time, the closest thing I figured I'd ever see to actually going into space myself. I can only hope that the Hubble repair mission is equally enthralling.

Given the success of the first two, why am I not surprised that the third Twilight movie will be released in an IMAX format?

Then there's the IMAX 3D animated movies Shrek 4 and -- the big one -- Toy Story 3. Now Toy Story 1&2 are much loved stories. One hopes that they can recapture the magic One More Time and avoid the dreaded Third Film Sequel Decline. And then there's the modern/retro/homage IMAX 3D Tron Legacy, due on 17 December 2010, I believe it is. This trailer provides a backstory link to the original Tron and only a glimpse to the inside world of wonders. Tron wasn't a great film originally, but its graphics were clean and sharp and looked good on the big screen -- the lightcycles alone with their razor edged turns were amazing. I am really hoping that Tron Legacy is good.

Really? REALLY?

Late Sunday night I ran into this movie on the so-called SyFy Channel, which I eventually discovered was called Mutant Chronicles. After watching parts of it, while flipping back and forth with other shows, I looked it up on Wikipedia -- a great source for figuring out plots of TV shows and movies that you either don't want to watch, have only seen part of, or can't figure out what the hell was going on -- and found it was based on a video game series. Oh, well that explains why it wasn't coherent. Still, where I came in had a steampunk space capsule and Ron Perlman and despite the really bad landing, that was enough for me to see bits of it. Sorry, but most movies spawned from video games have real problems. The battle scenes against the mutants would probably be better behind a game controller than as a passive movie watch. Just saying. Somehow I missed this one when it had what sounded like limited U.S. theatre release -- and I'm not sad that I did. (evil grin)

And now I'm a little bit more caught up with posting that I was last night.

Dr. Phil
dr_phil_physics: (dr-phil-irosf)
Variation In Traditions

For quite a number of years, we've actually done our Thanksgiving dinner on Friday or even Saturday, and have gone out on Thanksgiving to see some movies. Now I can hear it now -- doesn't this make you a hypocrite after your rant about Thanksgiving shopping? If you like. But I consider going to entertainment a bit different than Christmas shopping or looking for bargains for yourself. After all, people are going out on Thanksgiving to those big football games and the Big Balloon parades, etc. And frankly, the alternative is that a lot of multiplexes are located in, wait for it, shopping malls. And come Black Friday, people who don't like to drive into crowded places (like us'ns) won't go to those cinemas.

This year, though, we had some company and ended up doing the Turkey, et al, on Thanksgiving. So it was that we drove off to a movie on Friday. Away from any malls. Otherwise, we might've gone to see Bright Star, a four-star Jane Campion movie about Yeats. And no, we weren't going off to see sparkly vampires.

The Blind Side [PG-13]
Holland 7 Theatre #7, 2pm, 4×$6.75

It seems like a movie we've seen before. Big, really big, black inner city underprivileged kid is looked upon as meat for the local high school football team. Try to show him a new life and tutor the hell out of him, and hope to feed him to the Great Southern God of Football. Maybe make him illiterate or with a big chip on his shoulder. Doesn't even have to be a football movie, it could be Drumline.

It would be easy to say that The Blind Side is that movie we've seen before. Except I think that would do a series of disservices to this film and -- since this is based on a true story -- a disservice to the real people involved. Predictable? Somewhat. But we found it damned entertaining. And though I hadn't heard the real story of Michael Oher, or of the book The Blind Side: Evolution of a Game by Michael Lewis, I found the characters pretty realistic and compassionate in a way very different from most of the movies out there.

Quinton Aaron as "Big Mike" -- can we say he plays his role low key with enormous energy? Can we say his character is hiding in plain sight and we get to watch him blossom? Sure. But of course what the reviews are going to talk about is Sandra Bullock. Now I've watched her since she had to drive a bus in Speed and really enjoyed her quirky offbeat characters. As Leigh Anne Touhy, we get to watch Sandra Bullock playing a real grownup. A force of nature. Now realize, she's as foreign to my life as Michael is. Rich. Driven. Southern Republican. A former cheerleader. But she's sincere -- and she has doubts. And dammit, at least twice in the movie she admits she's made a mistake, which would be very hard for her character, and she sucks it up. The queen of a string of romantic/action comedy movies has made an admittedly lightweight serious feel-good movie -- and dammit, I suspect she's going to earn herself an Oscar nomination, if not a statue.

The little brother of the family nearly steals the show -- the kid is brilliant as the plugged in operator -- wonder who he is supposed to have inherited that from. (grin) And a whole slew of NCAA Division I Southern head football coaches play themselves, which is a real treat. The wheeling and dealing is a bit comic, but it's as close as I'll ever get to sitting across a coffee table from a major league recruiter. (double-grin) And in this film, the crack using mother who lost custody of all her children over the years, isn't trying to get money from the new mom, trading a son for drugs. It would be so easy to complain, and I'm not sure it isn't something of a legitimate complaint, that this is some sort of white saves black from themselves story. Except that this all is set in motion by a black man helping out his own son and someone else's son, followed by a simple desire to help someone in a cold rain wearing nothing but soaked T-shirt and shorts and soggy tennies.

Since this is based on real events, it is interesting that there are things they decided not to do, decisions I think were made to avoid being distracting. The real Michael Oher graduated from Old Miss in 2009. Back up four years and he graduated from high school in 2005. So the action in this movie probably starts in 2002-2004, though I don't think it says. That's not all that long ago, but at the same time I don't think they made any attempt to adjust for the time period. Prior to Obama's run for the White House last year, the only people doing fistbumps that I ever saw were with Howie Mandel. (grin) Like I said, no distracting period stuff. Second, while it is crucial that the school involved was a private Christian school, and Sandra wears a lovely not-so-simple gold cross all the time, we never see any church scenes. These are the things they didn't do, and yet the movie clocks in at a solid 128 minutes. This isn't some 79 minute hardly-a-movie.

If you go, stay for beginning of the credits. They end the movie with Michael being drafted by the Baltimore Ravens -- and this is real footage. We get to see the family and people, and they did a fine job of casting, especially Sandra Bullock's hair (grin) and Kathy Bates (who is in everything lately) as the tutor. And an interesting side note, given the big debate in Michigan about whether to continue the subsidies to filmmakers shooting in the state, this movie about Memphis and Old Miss was shot in Georgia under their state program.

I don't think you particularly have to be a sports fan to see this. Perhaps it's that rare breed that qualifies as a guy's sports triumph movie and a chick flick that isn't a romance. Go figure. Or at least go see The Blind Side.

Recommended

Trailers: Invictus puts Morgan Freeman is as Nelson Mandela, trying to unify white and black South Africa, and picking on Matt Damon and the national rugby team to do it by winning the World Cup. I think South Africa will come out looking better than in District 9. Up In The Air, with George Clooney as a a busy traveler who swoops in to help fire employees -- will have to see the reviews of this one. We'll skip the life feed of Glenn Beck's The Christmas Sweater, trust me.

Dr. Phil
dr_phil_physics: (us-flag)
An Unconventional Holiday Film

Though it has been moved to the "cheap" theatre in the Jack Loeks chain in Grand Rapids, The Hurt Locker is about the only 4-star movie playing in the area. Which is a shame, because this is a movie worth seeing. It slipped into town and I might've forgotten about it, except that [livejournal.com profile] ellen_datlow went to see it the other day and raved about it -- so when we were looking at movies to see this weekend, we put this up at the top of the list.

The Hurt Locker [R]
Celebration Cinema Woodland, Theatre #2, 2:15pm, 2×$3.99

It's not always easy to evaluate war movies while the war is still going on. Many WWII movies were designed to buck up the home front. The Green Berets was a rah-rah version of the early Vietnam war and other films from that era were protests. What is interesting about The Hurt Locker is that it strikes me as something of an "it is what it is" movie.

In the movie we are following an EOD team -- Explosive Ordnance Disposal. With the deployment of all manner of IEDs and suicide bombers and booby-traps, this is a very different task than was say portrayed in the 1979 British WWII TV series Danger UXB. The look of the heat and the environment is totally realistic and a small part of my mind kept wondering where they had filmed it -- turns out it was shot mainly in Jordan and many of the Iraqis in the film were recruited from Iraqi refugees. The main cast of three are actors unknown to me, though Guy Pearce, Ralph Fines, David Morse and Lost's Evangeline Lilly have small parts.

Just last night I was watching an episode of Lock 'N Load on The History Channel with former USMC Sgt. R. Lee Ermey and the topic was vehicles used in Iraq. They detailed why the Humvee was so vulnerable to IEDs and talked about the various models of MRAPs. It is ironic that an EOD team is driving around by themselves in a Humvee, at risk to the very IEDs they are out there to work on.

Much like Clint Eastwood's Heartbreak Ridge, officers don't come off very well. Though we are made to wonder whether the one bomb tech is unstable or unhinged at times, what we're seeing is a unit sent in by themselves, with the regular troops pulled back behind a perimeter and operating by themselves. They don't seem to have much direct supervision, even though someone is obviously sending them on their missions.

There are not easy decisions being made here. This is not an easy film to watch, because like real war, you don't know what is going to happen next. But in my opinion it is done very straight -- there is both bravery and stupidity being shown. As one slice of the war, one which many are not going to be familiar with, we see as if in real life many of the bits and details which years of war coverage have shown us, both good and bad. It is what is it.

When the credits were rolling, I was intrigued to see that the director was a woman, Kathryn Bigelow. I just don't recall too many war movies being made by women. So what else has she done? Point Break, Strange Days and K-19: The Widowmaker. Barry Ackroyd, the cinematographer for United 93, brings a gritty and multi-camera realism to the film. The script was written by a man who had been embedded with an EOD team.

I doubt that any war movie of any era can completely capture or convey the feelings and reality of war -- something that I have never personally experienced. But this isn't a George Clooney vehicle or a big budget studio production. It has a ring of truth to it. It is what it is. And what it is, is pretty damned good.

Highly Recommended

Trailers: Several trailers for things we've seen or are already out, such as District 9, GI Joe, Inglorious Bastards. One of the new trailers is for an armored car heist movie with Lawrence Fishburne and Jean Reno (!). Okay -- I'd go see that. (grin)

Dr. Phil
dr_phil_physics: (hands-framing-winslet)
Friday 14 August 2009

Just saw a trailer for a new SF movie produced by Peter Jackson -- District 9.
A sci-fi/action story set in a fictional world, where extraterrestrials have become refugees in South Africa.



If that doesn't work, try here.

Now this is what Independence Day could've been, or started out as... (grin)

Dr. Phil

ps- LJ somehow ate my original posting title, so here's a new one. (grin)
dr_phil_physics: (WOTF XXIV)
Writers of the Future Volume XXIV:

NOTE: The Trailer is also included in the next video.

The Writers of the Future Event - Friday 15 August 2008 - Hollywood CA


Amazon said the book was being released publicly on September 8th. Now we're hearing October? I'll let you know when I know. (grin)

Dr. Phil

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